Chess Club of the Golden Crescent Welcomes You!

Thanks for stopping by the official website of the Chess Club of the Golden Crescent! Feel free to send us an e-mail if you have any questions or comments: goldencrescentchess@live.com We also invite you to leave comments on our postings or at our official club forum (click here to access the forum). And of course, feel free to come by Jason's Deli on Monday nights to get a game or two in with us!

24 November, 2009

Road Trip!!

Our first trip to the Houston Chess Club, while memorable, wasn't as successful as we'd hoped. Well, we're going to try and fix that: on December 5, 2009, we're headed back to the HCC to settle some scores!

http://www.houstonchessclub2000.com/

This Google Maps link will give you the driving directions to the HCC from our meeting place at Jason's Deli. Google Maps will sometimes give goofy directions, but you'll get the jist of it.

Here are the details on the HCC Saturday tournaments:


Free lecture by Larry Englebretson (Lifetime Master) for everyone starting at 10:30 AM. Tournament starts at 12:00 noon. Registration is from 11:30 AM – 12:00 noon. Time control is G/60. Round times are 12:00 noon, 2:00 PM, and 4:00 PM. 50% of entry fees collected awarded as prizes.



Adult Members: $10.00
Adult Non-Members: $15.00
Junior Members: $7.00
Junior Non-Members: $12.00

13 November, 2009

The Case For The Defense

To begin with, if you've wondered whether it is better to be an attack-oriented player or a defense-oriented player, let me say that the answer is "yes". Chess is not a game for specialists. When you begin to play through the games of the great players, you will likely be surprised to learn that attackers such as Kasparov and Tal have defended brilliantly - and that defenders such as Kramnik and Karpov have played beautiful attacks. Indeed, grandmasters of chess are well-rounded players - so if it is necessary for a peerless attacker like Kasparov to defend well, then it follows that you should also develop and improve your defensive techniques.

Why? Isn't defense boring? Isn't it better to sacrifice pieces and play for mate? Of course it is. But real life gets in the way sometimes. Sometimes your opponent gets the better of you in the opening and when the middlegame begins, you have to deal with his attack.

What then? Sheepishly resign just because the opponent has the upper hand? Of course not! No, no, a thousand times, no! You fight on until defeat is imminent - for one of you. As GM Viktor Korchnoi says, "If a player believes in miracles he can sometimes perform them." (Lisa D. loves it when I quote people)

Now I love to attack. It's great fun. But the game I am about to show you is a favorite of mine (despite its quality) and is a typical illustration of what stubborn resistance can do for a bad position.

This game was played online (a fifteen-minute game, IIRC), circa 2000. I had the white pieces.
  • 1. e4 c5
  • 2. Nf3 Nc6
  • 3. d4 cxd4
  • 4. Nxd4 Qb6!?

This move isn't exactly a mainline Sicilian but it certainly has its attractive qualities. The d4-square is under pressure (compare this to black's play in Aparicio-Makhlaychuk, 1998 for similarities) and the attacking defense 5 Be3? just drops the b2-pawn. The primary idea behind the Open Sicilian, from black's perspective, is that if he can reach an endgame his extra pawn in the center will be very advantageous for him. For white in the Open Sicilian, middlegame attack is the name of the game.

  • 5. Nxc6?

I wasn't very well-versed in the Sicilian back in those days. The retreat 5 Nb3, a standard book move in many lines, simply didn't occur to me. But the text-move allows black to get one step closer to that endgame with that knight trade AND moves the b-pawn to the far more useful c-file, where it will support the d-pawn once it comes to the d5-square. So yeah, I'm giving black EXACTLY what he wants in this opening - all in the first five moves!

  • 5...bxc6
  • 6. Nc3 g6
  • 7. b3?

As I mentioned in the Makhlaychuk game, I had an unhealthy fixation with the fianchetto during the years 1997-2001; when I was out of ideas, I simply played b2-b3 and Bc1-b2 (or g2-g3 and Bf1-g2, depending). In the abstract, it's a fine idea - place the bishop on the long diagonal, it runs through the center and controls a lot of squares - but a chess game seldom permits such leisurely maneuvers.

Before I go on with the game, I need to make clear the point I am trying to make: the fianchetto is very often an excellent idea. This maneuver is the central idea behind several excellent opening systems, (the King's Indian Defense, the Queen's Indian Defense, the Benoni Defense, the Sicilian Dragon, various English Opening variations, etc.) so I'm not telling you to avoid using the fianchetto; I was using it as a crutch back in those days, making it a substitute for thinking about which moves were relevant to the position. This is a lazy and dangerous approach to chess, especially in complex, tactical openings like the Open Sicilian.

Consider the text-move, 7 b3? To complete the fianchetto, white will need to play 8 Bb2 - what does that accomplish? The white king is stuck in the center and the other bishop is doing nothing on f1; why not 7 Bc4 and 8 0-0 instead? Sure, black can insert something contentious like 7...Ba6 to prevent castling, but then 8 Bxa6 Qxa6 9 Qd4! is strong: 9...Nf6 10 Bg5 Bg7 11 e5. White is now ready to castle and black's knight is getting kicked around like a tin can.

  • 7...Bg7
  • 8. Bb2 Qa5
  • 9. Qd2 Nf6
  • 10. Bd3 O-O
  • 11. O-O Ng4
  • 12. h3 Ne5
  • 13. f4 Nxd3
  • 14. cxd3 Ba6
  • 15. Rf3 Bb7
  • 16. Qf2??

I have purposefully avoided comment for the past several moves because the topic here is defending bad positions. White has reasonably handled a bad opening up until now - but this move is a screaming, howling, why-on-earth-do-I-still-bother-with-chess quality blunder. 16 d4 c5 17 d5 was the most plausible continuation; white is still worse off but at least in this line he enters a middlegame with level material.

  • 16...Bxc3
  • 17. Bxc3 Qxc3
  • 18. Rf1 c5
  • 19. f5 Qd4!

A queen trade would be disastrous for white, and for that reason white must play an awkward move to keep the queens on.

  • 20. Re3 Kg7
  • 21. Kh1 g5
  • 22. h4 h6
  • 23. Qg3 f6
  • 24. Ref3 d6
  • 25. Qg4 Bc6!

White was threatening a forced draw with Qg4-h5-g6+, Qg6-h6-g6, with perpetual check. Black has maneuvered very nicely: besides preventing that draw, all of his pawns are on dark squares - which of course allows his extra piece, the bishop, to travel unimpeded.

  • 26. Qh5 Be8
  • 27. Qg4 h5
  • 28. Qg3 g4
  • 29. R3f2 Qe5?!

This is a subject close to my heart - the unjustified one-move threat. Black has done a superb job improving his most of his pieces after winning the bishop. Here, black could play 29...Bf7 to connect the rooks and begin invading the queenside in earnest; even 29...a5 looks pretty good. Why redeploy an already well-placed piece (to attack a piece which will most certainly not agree to be traded) when black's material superiority can assert itself on the other side of the board? When you've got your opponent in retreat covering up one weakness, it's always a good policy to explore the possibility of creating another one. Eventually, defensive pieces charged with covering multiple problem areas will break under enough well-placed pressure and make winning a game simple.

  • 30. Qe3 Rb8
  • 31. Rc1 Rb4
  • 32. Rc4!?

What's this? Isn't white supposed to avoid trades when down in material? Yes. But it also occurred to me that the result of this trade (which black is quite happy to accept for all reasons obvious) makes a lot of central light squares uninhabitable for the black bishop. So by agreeing to the trade, I reduce the effectiveness of black's extra piece.

  • 32...Rxc4
  • 33. bxc4 Bc6

33...Qc3 creates a tactical idea in conjunction with ...Be8-f7 and ...Bf7xc4.

  • 34. Rf1 Rb8
  • 35. Qd2 Qb2?

35...Rb2 is much stronger and looks decisive, since 36 Qa5 fails to 36...Qg3. Alternatively, 36 Qe3 Rxa2 eventually allows ...Qb2 and white is plastered to his back rank.

  • 36. Qa5 Rb7
  • 37. Qd8 Qxa2
  • 38. Qc8 Qa6?

38...Rb1 is superior. The hanging bishop can't be touched since white loses the exchange.

  • 39. Qe6 Qb6
  • 40. Kg1 Bd7??

Black has utterly wasted his extra piece. Far from utilizing the bishop, black assists white by blocking the defense of a vital pawn with that extra material.

What have we witnessed so far? To be sure, black has played rather poorly since preventing the perpetual check - but why? Aided by the urgency of a ticking clock, black has committed errors related to the possiblity that white was threatening, or could threaten, something. In short, black is tiptoeing around ghosts. 29...Qe5?! and 35 Qb2? were undoubtedly motivated by the desire to get the queens off the board. With 38...Qa6? black was so fearful of losing his extra material that he failed to recognize that the bishop was in no real danger. And with the text-move, black was so concerned with the white queen's location that he didn't stop to consider this reality: Her Majesty really can't do anything more than look scary on the e6-square. Black wanted to drive it out at all costs.

The point is, when you're on the short end of the stick, threaten something. Anything. Don't just sit there. Maybe your defense will unnerve the opponent; I'm sure that this is what happened in this game.

  • 41. Qxe7+ Kg8
  • 42. Qxf6 Ba4
  • 43. Qe6+ Rf7
  • 44. Qg6+ Kf8
  • 45. Qh6+ Ke8
  • 46. Qxh5

White has recovered two pawns for the bishop, which is, materially, nearly equal .

  • 46...Bc2

Of course, it's curtains for the critical d3-pawn, right?

  • 47. Qh8+!

The Lady in White deserves a raise for her all of her hard work in this game. With this move white keeps the d3-pawn on the board for now.

  • 47...Kd7
  • 48. Qc3 Qb3
  • 49. Qa5 Qa4?

Just grab the d3-pawn! Jeez!

My original note to this move, written after I first analyzed this game, read "Black has played...as though he has the material deficit." That's kind of a stupid comment, I thought as I glanced over the old annotations. However, as I reviewed the game in preparation for writing this post I realized that this comment invites two interpretations. On the one hand, the proper approach for the player short on material is to play more alertly and boldly, since passive play will avail him nothing; in that sense, the note is nonsensical. But on the other hand, the idea that a player with a material deficit will play not to harrass the opponent but solely to preserve what he has, regardless of what's going on in the game, reacting rather than acting, it is that sense in which my original note does have some merit. Black has had the majority of the game dictated to him despite winning significant material in the opening. So keep this in mind - do not let a game get out of your control in this way. It is extremely important to keep a cool head when evaluating threats. Otherwise, reflexive reactions to those threats, over and over again, will transform you into a non-participant at the board. What opponent could be easier to deal with than the one playing your game rather than his own?

  • 50. Qd2 Rf8
  • 51. Rc1 Bb3
  • 52. Qg5 Qa3 - Finally, a counterthreat!
  • 53. f6?

This is pure bluff, as it turns out. 53...Rxf6! 54 Qxg4+ is the best white can get from this, since the white rook is en prise on c1.

  • 53...Ba4 - But of course, black takes it seriously...
  • 54. Qxg4+ Kc6
  • 55. Rf1 Qxd3
  • 56. f7 Qd4+
  • 58. Kh1 Qe5
  • 59. Rf5 Qe7
  • 60. e5 dxe5
  • 61. Rxe5 Qxf7
  • 62. Re6+! Kc7

Believe it or not, the only alternative (62...Ka5) is checkmate! (63 Qe1++)

  • 63. Re7+ 1-0

Rook and bishop can often compensate for a queen, and the win isn't forced quite yet. But considering the emotional state black must have been in, can you blame the guy for tipping his king?

Often a position appears to be so strong that the game should just win itself. But as GM Jan Hein Donner put it, "Chess games are not won with good positions but with good moves." I did nearly everything I could to make the win difficult for my opponent, and he responded with bad moves. Had I hunkered down in a corner, waiting for the end, my opponent would have picked me apart in routine fashion. Never give up. Never, never, never. (Churchill)

***Edit by Ricardo*** Besides correcting several errors on the move list, I hadn't yet posted a playback link. You may now click the new link below if it pleases you.


Ricardo Aparicio-NN

05 November, 2009

In Defense of Latvians and Their Gambits: Dad's Big Night

My father likes to send me his chess games (especially when he wins), and so I thought I would post his most recent victory - a quirky defense of the Latvian Gambit!


John DeVries: I played a casual chess game last night (Halloween night!) with Ken Henkelman, an 1800 USCF rated chess player who does not play any more in rated chess tournaments. I play Ken every week at Waco Chess Club meetings - he beats me at least 3/4 of the time! However, sometimes the stars align just right, and I beat Ken! Last night was just such a time.


The following game is worthy of review. It is a "Latvian Gambit" ( I played Black). "Latvian Gambit" was actually invented 400+ years ago by a great Italian player, Greco. It was called the "Greco Roman Gambit" until the 20th Century. The great 19th Century English Grandmaster, Joseph Blackburne, played the ""Greco Roman/Latvian Gambit", but stopped using it after he was crushed in an important international grandmasters' tournament. The "Greco Roman Gambit" reputation collapsed. No masters played it. Then, in the years before World War II, a group of masters from Latvia (Russia) (Mikail Tal came from Latvia but was not part of this group) began experimenting with it and challenged several chess clubs to Latvian Gambit correspondence games (these chess clubs were filled with master players) and never lost. Okay, a few of the games were draws. Since that time, it has been called the "Latvian Gambit".


Today's grandmasters totally disregard the Latvian Gambit, and the Latvian Gambit is humorously derided by my friends in the Waco Chess Club. I keep playing it, because I don't feel comfortable playing


-2- ....Nc6 when White opens with e4.


Grandmaster Anatoly Lein wrote a book on the Latvian Gambit - a chess master friend in San Antonio gave me the book, and I lost the book ! So most/all of my knowledge regarding the Latvian Gambit comes from my over-the-board experience.


The Latvian Gambit goes as follows. It is a gambit for the player with the Black pieces. -1- e4 e5 -2- Nf3 f5?!


In last night's game, Ken made a couple small, but important errors. Still, I slaughtered him. I'm going to keep the following game in my "DeVries Great Chess Games Database" (the database has a very small number of games!). The game (please see below) is worthy of review. If I ever get to play you with the Black pieces, and you play


-1- e4 and -2- Nf3, I will play the Latvian Gambit. Enjoy!!!


Ken Henkelman vs John DeVries 10-31-2009 (Casual Game)

  • 1.  e4       e5
  • 2.  Nf3     f5
  • 3.  Nxe5  Qf6
  • 4.  d4      d6
  • 5.  Nc4    fxe4
This is all standard - now the battle begins

  • 6.  Nc3   Qg6
  • 7.  f3       Nf6
  • 8.  Qe2   Be7
  • 9.  fxe4   Bg4
One of the key moves in the game for Black --- I don't mind going one pawn down here.

  • 10. Qe3  0-0
White never gets to castle in this game.

  • 11. Bd2  Nc6
  • 12. Nd5  Nxd5
  • 13. exd5 Bf6
Black 13th move is nice!
  • 14. Qg3  Nxd4
  • 15. Bd3  Rae8+
  • 16. Ne3  Nf5
The White Knight at e3 is pinned.
  • 17. Bxf5 Qxf5
  • 18. c3     Bg5
  • 19. h3     Bxe3
  • 20. Bxe3 Bh5  - 20. hxg4 might have saved White
Black's Bishop on h5 will prove decisive.
  • 21. Kd2 Qxd5+
  • 22. Kc1 Qd3
Now it is over for White.

  • 23. Re1 Bg6, 0-1
**EDIT by CCGC Blogger** Please click the link below if you'd care to play through this game.


Ken Henkleman-John DeVries

01 November, 2009

Physician, Heal Thyself

I think it's useful, when given advice, to see how the advisor behaves in the very situations he provides advice about. You don't want to see someone recommend one thing and do something else. Reminds me of this Dilbert Cartoon.

So when I posted about what a player should do when he/she is confronted with the unfamiliar, I promised to show you how I handled that situation. Did I take my own advice?

The game I present today is from my utterly disastrous showing (+0-3=0) from the Gulf Coast Open in 1998. I have the white pieces against a nine-year old Ukrainian girl, Inga Makhlaychuk.

  • 1. e4 e6
  • 2. d4 d5
  • 3. e5 c5

This is the Advance Variation of the French Defense. I had played scores of terrible games against the French when squared off with against Chessmaster 3000, so I vowed that I would always play the Advance against the French to channel the game into very specific positions. A noble idea, but at the time 3 e5 was all that stuck with me. In other words, what now?

  • 4. c3

"Don't make too many pawn moves in the opening." So what gives here? In this position it's reasonable. Neither player has developed a piece, and the basic idea here is that white can maintain a pawn on d4, which is consistent with another piece of advice: "When in doubt, play in the center."

  • 4...Nc6 - "Knights before Bishops!"
  • 5. Bb5

Fritz calls this "last book move". Trust me - it wouldn't be hard to find a book on the French Defense showing many more moves in the Advance. Of course, five moves beats my three. But what happened to "Knights before Bishops"? Well, the pin on the knight helps maintain the pawn on d4. Or am I just making excuses for myself? Fritz said it was a standard move, how bad can it be?

  • 5...Qb6

I like this move. It threatens the Bishop and aims at d4 yet again. Is it too early to move the queen, though? To answer that question, take a look around and see if any of the white pieces can attack it.

  • 6. Bxc6+ bxc6

You may be wondering why black recaptured with the pawn. Remember, I have mentioned how black is attacking the d4 pawn and that white has been playing to keep the d4 pawn in place. Well, with the doubled pawns, it's easy to see that black can play ...c5xd4 and if white recaptures with the pawn, black can again attack the d4 pawn with the other c-pawn with ...c6-c5. The stupid looking 7 Na3, 7 Qb3, or even 7 Qa4 was better than giving up bishop for knight and a central pawn majority. Besides, capturing the knight violated the rule "Avoid moving a piece more than once in the opening."

  • 7. Ne2 cxd4
  • 8. cxd4 Ne7
  • 9. 0-0 Nf5!

My precocious opponent is determined to harrass the d4 square!

  • 10. Nbc3 Ba6

Here's a good stopping point. Consider that we've been talking about the d4 square over and over and over. So what do you suppose the point of this move must be?

  • 11. b3

"Secures c4 - 11 Re1!?= must be considered" - Fritz. Indeed, Herr Fritz; but I was not taking the center into account - I was simply playing the moves I wanted to play. And my approach then, when in doubt, was to fianchetto my bishops. Aren't they POWERFUL on those long diagonals?

  • 11...Bb4 - and black is better, says Fritz.
  • 12. Bd2 0-0 - 12...Nxd4 safely rips off a pawn
  • 13. Na4 - equalizes, says Fritz.
  • 13...Qa5
  • 14. Bxb4 Qxb4

"If you can get out of the opening without losing a piece, you're OK." - IM Jack Peters. The problem is that my d4 pawn is toast and generating counterplay will not be easy. Fritz gives a line which preserves my d4 pawn at the cost of doubling my queenside pawns on the b-file: 15 a3 Bxe2 16 axb4 Bxd1 17 Rxd1=. That "=" is Fritz's evaluation; I don't see how those doubled pawns aren't a liability in the endgame, but I'm a pretty weak player. Need proof of that?

  • 15. Nc5?? Bxe2
  • 16. Qxe2 Nxd4

There is no rescuing my knight. The queen must be moved out of danger, since a counterattack on her queen fails to ...Nd4xe2+, at which point black's queen skips harmlessly away.

I had planned to comment on the entire game, but the rest of the game is even worse than the opening was. Everything worth learning in this game came from the opening - and it's easy to see that black's moves adhered to common sense principles and white's moves did not. This is how nine-year olds can defeat twenty-three year olds in chess. The pieces are ageless.

Don't misunderstand - I'm not trying to spare myself by not commenting on the rest of the game. You can click the link below and view the rest of it.



Ricardo Aparicio-Inga Makhlaychuk